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Museum of Contemporary Art Chicago Chicago Distance From University of Chicago

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Art museum in Chicago, Illinois

Museum of Gimmicky Art Chicago
MCA Chicago 060930.jpg

Museum of Contemporary Art, Chicago is located in Near North Side, Chicago

Museum of Contemporary Art, Chicago

Location in Chicago'south Near North Side community area
Established 1967
(current location since 1996)
Location 220 East Chicago Avenue,
Chicago, Illinois 60611-2643
Us
Coordinates 41°53′50″Due north 87°37′16″W  /  41.8972°Northward 87.6212°W  / 41.8972; -87.6212
Manager Madeleine Grynsztejn
Website mcachicago.org

The Museum of Contemporary Art (MCA) Chicago is a contemporary art museum near Water Tower Identify in downtown Chicago in Cook County, Illinois, United states of america. The museum, which was established in 1967, is ane of the world'southward largest gimmicky art venues. The museum'south drove is composed of thousands of objects of Post-Earth War Ii visual art. The museum is run gallery-style, with individually curated exhibitions throughout the yr. Each exhibition may exist composed of temporary loans, pieces from their permanent collection, or a combination of the ii.[i]

The museum has hosted several notable debut exhibitions including Frida Kahlo's first U.Due south. exhibition and Jeff Koons' first solo museum exhibition. Koons later presented an showroom at the Museum that broke the museum's omnipresence record. The current record for the most attended exhibition is the 2017 exhibition of Takashi Murakami work. The museums drove, which includes Jasper Johns, Andy Warhol, Cindy Sherman, Kara Walker, and Alexander Calder, contains historical samples of 1940s–1970s late surrealism, pop art, minimalism, and conceptual art; notable holdings 1980s postmodernism; besides every bit gimmicky painting, sculpture, photography, video, installation, and related media. It as well presents dance, theater, music, and multidisciplinary arts.

The current location at 220 East Chicago Avenue is in the Streeterville neighborhood of the Nearly North Side community expanse.[two] Josef Paul Kleihues designed the current building after the museum conducted a 12-month search, reviewing more than 200 nominations.[3] The museum was originally located at 237 East Ontario Street, which was originally designed as a bakery. The current building is known for its signature staircase leading to an elevated basis floor, which has an atrium, the total glass-walled east and west façades giving a direct view of the metropolis and Lake Michigan.

History [edit]

The Museum of Contemporary Art (MCA) Chicago was created as the result of a 1964 meeting of xxx critics, collectors and dealers at the habitation of critic Doris Lane Butler to bring the long-discussed idea of a museum of contemporary art to complement the urban center'due south Art Constitute of Chicago, according to a grand opening story in Time.[four] It opened in fall 1967 in a small space at 237 East Ontario Street that had for a time served as the corporate offices of Playboy Enterprises.[5] Its first director was Jan van der Marck.[6] In 1970 he invited Wolf Vostell to make the Concrete Traffic sculpture in Chicago.[vii]

Initially, the museum was conceived primarily every bit a space for temporary exhibitions, in the High german kunsthalle model. However, in 1974, the museum began acquiring a permanent collection of contemporary art objects created after 1945.[8] The MCA expanded into adjacent buildings to increase gallery space; and in 1977, post-obit a fundraising bulldoze for its 10th ceremony, a three-story neighboring townhouse was purchased, renovated, and connected to the museum.[5] In 1978, Gordon Matta-Clark executed his final major project in the townhouse. In his work Circus Or The Caribbean Orangish (1978), Matta-Clark fabricated circle cuts in the walls and floors of the townhouse next-door to the starting time museum.[nine] [10]

Museum of Contemporary Art, Chicago.

In 1991, the museum's Board of Trustees contributed $37 million ($73.half dozen million today) of the expected $55 million ($109.4 1000000) structure costs for Chicago'due south first new museum building in 65 years.[11] Half-dozen of the board members were central to the fundraising every bit major donors: Jerome Rock (chairman emeritus of Stone Container Corporation), Beatrice C. Mayer (daughter of Sara Lee Corporation founder Nathan Cummings) and family, Mrs. Edwin Lindy Bergman, the Neison Harris (president of Pittway Corporation) and Irving Harris families, and Thomas and Frances Dittmer (bolt).[12] [13] The Board of Trustees then weighed architectural proposals from six finalists: Emilio Ambasz of New York; Tadao Ando of Osaka, Nihon; Josef Paul Kleihues of Berlin; Fumihiko Maki of Tokyo; Morphosis of Santa Monica, Calif.; and Christian de Portzamparc of Paris.[12] According to Chicago Tribune Pulitzer Prize-winning architecture critic Blair Kamin, the list of contenders was controversial because no Chicago-based architects were included as finalists despite the fact that prominent Chicago architects such as Helmut Jahn and Stanley Tigerman were among the 23 semi-finalists. In fact, none of the finalists had made whatever prior structures in Chicago. The selection process, which started with 209 contenders, was based on professional person qualifications, recent projects, and the ability to work closely with the staff of the aspiring museum.[xiv]

from correct (1919)

from left (1919)

In 1996, the MCA opened its current museum at 220 Due east Chicago Artery, which was the site of a sometime National Guard Arsenal betwixt Lake Michigan and Michigan Avenue from 1907 until it was demolished in 1993 to make fashion for the MCA.[fifteen] The iv-story 220,000-square-foot (20,000 m2) edifice designed past Josef Paul Kleihues,[16] which was v times larger than its predecessor,[17] made the Museum of Gimmicky Art (MCA) Chicago the largest institution devoted to gimmicky art in the earth.[eighteen] The physical construction is said to reference the modernism of Mies van der Rohe besides as the tradition of Chicago architecture.[8] The museum opened at its new location June 21–22, 1996, with a 24-hour outcome that drew more than 25,000 visitors.[9] For its 50th anniversary in 2017, the museum unveiled a $16 one thousand thousand renovation by architects Johnston Marklee, which redesigned 12,000 square feet inside the existing footprint of the original Joseph Paul Kleihues pattern.[19]

Performance [edit]

The museum operates as a tax-exempt non-profit organization, and its exhibitions, programming, and operations are member-supported and privately funded.[twenty] The board of trustees is composed of 6 officers, xvi life trustees, and more than 46 trustees. The current board chair is Michael O'Grady.[21] The museum also has a director, who oversees the MCA's staff of about 100. Madeleine Grynsztejn replaced 10-year director Robert Fitzpatrick during the 2008 fiscal year in this capacity, and she is the MCA's first female director.[22]

The museum operates with three programming departments: Curatorial, Performance, and Learning and Public Programs. The curatorial staff consists of James Due west. Alsdorf Chief Curator Michael Darling, Senior Curator Naomi Beckwith, Offshoot Curator Lynne Warren, Associate Curator of Functioning Tara Aisha Willis, and Banana Curator Grace Deveney.[23] In 2009, the museum reported $17.five million in both operating income, 50% of which came from contributions, and operating expenses.[24] Contributions were received from individuals, corporations, foundations, government entities, and fundraising.[25] In 2016, the museum reported $23 1000000 in both operating income and operating expenses. threescore.3% came from contributions.[26]

The museum is airtight Mondays and is open from 10 a.m. to five p.m. on Wednesdays, Thursdays, Saturdays, and Sundays, with extended hours of operation on Tuesdays and Fridays until nine p.m. While the museum has no mandatory access charge, suggested admission is $15 for adults and $8 for students, teachers and seniors. Admission is complimentary for MCA members, members of the military and all youth xviii and under. It currently provides complimentary admission to Illinois residents every Tuesday.[27] During the summers, the museum provides free outdoor Tuesday Jazz concerts.[28] In add-on to art exhibits, the museum offers trip the light fantastic toe, theater, music, and multidisciplinary arts. The programming includes main projects and festivals of a broad spectrum of artists presented in performance, discussion, and workshop formats.[29]

Exhibitions [edit]

Past [edit]

In its first year of functioning, the museum hosted the exhibitions, Pictures To Exist Read/Poetry To Be Seen, Claes Oldenburg: Projects for Monuments, and Dan Flavin: Pink and Gilt, which was the artist's first solo bear witness.[9] In 1969, the museum served as the site of Christo's first building wrap in the United States. It was wrapped in more than than 8,000 square feet (700 m²) of tarpaulin and rope.[xxx] The post-obit yr it hosted ane-person shows for Roy Lichtenstein, Robert Rauschenberg, and Andy Warhol.

The MCA has also played host to the first American and solo exhibitions of prominent artists such as Frida Kahlo[8] in 1978.[31] Other exhibition highlights include the outset solo museum shows of Dan Flavin,[32] [33] in 1967,[31] and Jeff Koons,[34] in 1988.[31] In 1989, the MCA hosted Robert Mapplethorpe, The Perfect Moment, a traveling exhibition organized by the Institute of Contemporary Art in Philadelphia.[5] Boosted highlights of exhibitions organized or co-organized by the MCA include:

  • Enrico Baj (1971)
  • Chuck Shut (1972)
  • Lee Bontecou (1972)
  • Richard Artschwager (1973)
  • Thomas Kovachevich (1973)
  • Robert Irwin (1975)
  • Vito Acconci (1980)
  • Magdalena Abakanowicz (1982)
  • Lorna Simpson (1992)
  • Beverly Semmes (1995)
  • Mona Hatoum (1997)
  • Tom Friedman (2000)
  • John Currin (2003)
  • Rudolf Stingel (2007)

Recent [edit]

In 2006, the MCA was the only American museum to host Bruce Mau'southward Massive Change exhibit, which concerned the social, economical, and political effects of design. Additional 2006 exhibitions featured photographers Catherine Opie and Wolfgang Tillmans likewise as Chicago-based cartoonist Chris Ware. The 2008 Koons retrospective broke the attendance record with 86,584 visitors for the May 31 – bear witness of September 21, 2008.[35] [36] This was the culminating exhibit of the 2008 financial year,[37] which historic the 40th ceremony of the museum.[38]

In 2009, the MCA presented Jeremy Deller'south exhibition Information technology Is What Information technology Is: Conversations About Iraq. The exhibition was organized by the New Museum, and it was a new commission by the New Museum, New York; the Museum of Contemporary Art, Chicago; and the Hammer Museum, Los Angeles.[39]

Co-organized by the San Francisco Museum of Modern Fine art and the Wexner Eye for the Arts, the MCA presented Luc Tuymans from October 2010 – January 2011.[forty] Susan Philipsz: We Shall Be All was presented at the MCA February – June 2011. The Turner Prize-winning artist's audio exhibition featured protest songs and drew from Chicago'south labor history.[41] The exhibition Eiko & Koma: Time is Not Even, Space is Not Empty is the first serial of phase performances and a gallery exhibition presented at the MCA. The Japanese-born choreographers and dance artists perform and exhibit at the MCA June – Nov 2011.[42]

In 2014, the MCA was the only US venue to mountain the David Bowie Is... exhibition, which bankrupt previous attendance records for the museum.[43] To date, the most attended exhibition is the 2017 Takashi Murakami: The Octopus Eats Its Own Leg showroom, which broke the David Bowie Is... record prepare in 2014 with over 193,000 attendees.[44]

Following David Bowie Is..., the MCA debuted the critically acclaimed exhibition Kerry James Marshall: Mastry in 2016. Mastry subsequently traveled to the Metropolitan Museum of Art, New York, and the Los Angeles Museum of Contemporary Fine art.[45] In 2017, the MCA curated a show by the Japanese creative person Takashi Murakami which set attendance records, and in 2019 the museum launched a mid-career retrospective for the piece of work of the American designer Virgil Abloh, a quondam collaborator of Murakami's.[46]

In 2020, the MCA opened "Duro Olowu:Seeing Chicago", a curated exhibition past Duro Olowu of over 350 artworks from Chicago which marked the first time the museum had hired a guest art curator.[47]

Recurring programs [edit]

After a ten-year run, the exhibition serial UBS 12x12: New Artists/New Work is moving from the 2nd floor to the third floor, into a larger gallery infinite and will change its name to "Chicago Works." The exhibition series volition still characteristic Chicago-area artists. Rather than each artist being displayed for 1 calendar month, each exhibition in the series volition now exist displayed for three months.[48]

Starting in 2002, the MCA began commissioning artists and architects to blueprint and construct public fine art for the front plaza. The goal of the program is to link the museum to its neighboring community by extending its programmatic, educational, and outreach functions.[49] While artists have been exhibited intermittently on the MCA plaza since 2002, the summer 2011 plaza exhibit showcasing 4 works by Miami-based sculptor Mark Handforth marks a revitalization of the plaza project.[50]

From October through May, the MCA hosts monthly Family unit Days, which feature artistic activities for all ages.[51] Each summer, the museum hosts Tuesdays on the Terrace, a jazz performance serial, and a Farmers Market place on the MCA plaza on Tuesdays from June through October.[52] Year round, the MCA offers a Tuesday evening series, In Progress, that explores the artistic process, in addition to a Friday evening series led by local artists in the museum's public date space, the Commons.[53]

Operation [edit]

The MCA Stage has featured local, national, and international theater, dance, music, multimedia, and film performances. It is known as the "most active interdisciplinary arts presenter in Chicago" and partners with local customs organizations for the co-presentations of performing arts.[54]

Notable MCA Stage appearances include performances past Mikhail Baryshnikov, eighth blackbird, Peter Beck, Marie Chouinard, Merce Cunningham, Philip Glass, Martha Graham, Akram Khan, Taylor Mac, and Twyla Tharp.[55]

New structure [edit]

The new five-storey limestone and cast-aluminum structure was designed by Berlin architect Josef Paul Kleihues. The building, which opened in 1996, contains 45,000 square feet (4,200 mtwo) of gallery infinite (vii times the space of the old museum), a theater, studio-classrooms, an education center, a museum store, a eating place-café, and a sculpture garden.[eight] [56] The MCA building was Kleihues's beginning American structure. Its construction cost US$46.v meg ($80.3 million today).[57] The sculpture garden, which is 34,000 foursquare feet (three,200 thousand2),[16] includes a sculptural installation past Sol LeWitt and sculptures by George Rickey and Jane Highstein. The floor program of both the building and the sculpture garden is a square, on which the proportions of the edifice is based.[58]

The building's main archway, which is accessed by scaling 32 steps, uses both symmetry and transparency as themes for its large central glass walls that etch the bulk of both the east and west façades of the building. Two boosted entrances—into the education centre and into the museum store—are located on either side of the main staircase. The monumental staircase with projecting bays and plinths that may be used as the base for sculpture is reminiscent of the propyleia of the Acropolis in Athens.[58] The principal level entry hall has an next 55-foot (16.8 grand) atrium that connects it to a eatery in the rear of the building. Two galleries for temporary exhibitions flank the atrium. The stairwell in the northwest corner is often cited as the buildings most interesting and dynamic artistic feature. The elevated views of Lake Michigan are considered to exist a rewarding feature of the building.[30] The building's 56-foot (17.1 m) drinking glass facade sits atop 16 feet (4.nine g) of Indiana limestone.[59] The edifice is known for its mitt-bandage aluminum panels adjoined to the facade with stainless steel buttons.[30] [59] The building has two two-story gallery spaces and a smaller i-story gallery infinite on the second floor. The third flooring has a gallery and exhibition space in its northwest section, and the fourth floor has two large galleries, an exhibition space on the west side of the building, and a gallery in the southwest section.[thirty] [59]

The museum has a 296-seat multi-use theater with a proscenium-layout stage. The seats are laid out in 14 rows with two side aisles. The stage is 52 past 34 anxiety (sixteen thousand × 10 one thousand) and elevated 36 inches (0.91 one thousand) above the floor level of the get-go row of seats. The house has a 12 caste incline. The phase has three curtains and four catwalks.[60] For its 50th anniversary in 2017, the museum unveiled a $sixteen million renovation by architects Johnston Marklee, which redesigned 12,000 foursquare feet (i,100 mtwo) within the existing footprint of the original Joseph Paul Kleihues design.[61]

In 2017, the MCA commissioned architects Johnston Marklee to redesign select public spaces of the museum to create 3 major new offerings: Marisol, the basis-flooring destination eatery with an immersive art environment by international artist Chris Ofili; a social engagement space called the Commons on the second floor with an installation by Pedro y Juana; and a new 3rd floor with classrooms and a flexible meeting space that puts learning at the very center of the museum. This major $16-million renovation converted 12,000 square anxiety (1,100 mtwo) of interior space and coincided with the MCA's 50th anniversary.[62]

Disquisitional review [edit]

Complaining that the structure has a more fortress-similar exterior than the Museum'southward earlier home, Kamin viewed the architectural try equally a fumbled work. However, he considered the interior to exist serene and contemplative in a fashion that complements the contemporary art and compact and organized in a manner that is an improvement on the more traditional mazelike museums.[30] Comparing the building to the Sullivan Center and the Fine art Institute of Chicago Edifice, Kamin describes the museum as an homage to ii of Chicago'southward architectural influences: Ludwig Mies van der Rohe and Louis Sullivan.[30] Other critics also note the presence of Mies van der Rohe'southward spirit in the architecture.[63]

Chicago-based builder Douglas Garofalo has described the building equally stark, intimidating and "incongruous with contemporary sensibilities".[49] The interior atrium, which the architect claims links the city to the lake is part of a transcendent space that benefits from the sunlight that enters through the high drinking glass walls. The edifice is said to exist designed to separate the art from other distracting services and functions of the venue.[63] Kamin was as well pleased with the carve up entrances on the main floor for the museum shop and accessibility entrances.[30]

New Vision [edit]

Announced by the Chicago Tribune in June 2011, the MCA is in the process of reinventing its identity with new curators, a new floor programme, and a new vision. MCA Manager Madeleine Grynsztejn says the museum seeks to exist 50/fifty artist-activated/audience-engaged. The main floor'south north and s galleries will nowadays exhibitions showcasing the museum's permanent drove and piece of work by mail-emerging contemporary artists. The third floor will be for the "Chicago Works" series. The 4th floor will have gallery spaces for the MCA Screen and MCA DNA series, while the main barrel-vaulted galleries volition be for special exhibitions.[64]

Collection [edit]

The museum's collection consists of about 2,700 objects, too as more than iii,000 artist's books. The collection includes works of art from 1945 to the present.[65]

Former MCA Chief Curator Elizabeth Smith provided a narrative of the museum'southward collection.[66] She says the collection has examples of late surrealism, popular art, minimalism, and conceptual fine art from the 1940s through the 1970s; work from the 1980s that can be grouped under postmodernism; and painting, sculpture, photography, video, installation, and related media electric current artists explore.[67]

Notable Works [edit]

  • Written report for a Portrait, 1949, by Francis Bacon
  • Les merveilles de la nature (The Wonders of Nature), 1953, René Magritte[68]
  • Polychrome and Horizontal Bluebird, 1954, by Alexander Calder
  • In Memory of My Feelings - Frank O'Hara, 1961, past Jasper Johns
  • Retroactive II, 1963, by Robert Rauschenberg
  • Jackie Frieze, 1964, by Andy Warhol[69]
  • Untitled, 1970, Donald Judd
  • Untitled Flick Still, #xiv, 1978, by Cindy Sherman[seventy]
  • Rabbit, 1986, by Jeff Koons[71]
  • Cindy, 1988, past Chuck Close[72]
  • Presenting Negro Scenes Drawn Upon My Passage through the South and Reconfigured for the Benefit of Enlightened Audiences Wherever Such May Be Found, Past Myself, Missus G.E.B. Walker, Colored, 1997, past Kara Walker[73] [74]

During the 2008 fiscal year the MCA celebrated its 40th anniversary, which inspired gifts of works past artists such as Dan Flavin, Alfredo Jaar, and Thomas Ruff. Additionally, the museum expanded its drove past acquiring the work of some of the artists information technology presented during its anniversary celebration such equally Carlos Amorales, Tony Oursler, and Adam Pendleton.[38]

See likewise [edit]

  • Chicago architecture
  • Visual arts of Chicago
  • List of museums and cultural institutions in Chicago
  • List of contemporary fine art museums
  • MCA Stage

References [edit]

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  67. ^ "Life Death Love Hate Pleasure Hurting: Selected Works from the Museum of Gimmicky Art, Chicago". Museum of Gimmicky Art, Chicago. 2005. Archived from the original on October 25, 2008. Retrieved May 16, 2009.
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  69. ^ "Warhol, Andy". Museum of Contemporary Art. Archived from the original on December 28, 2010. Retrieved August 5, 2011.
  70. ^ "Sherman, Cindy". Museum of Contemporary Art. Archived from the original on Dec 28, 2010. Retrieved Baronial 5, 2011.
  71. ^ "Koons, Jeff". Museum of Gimmicky Fine art. Archived from the original on December 28, 2010. Retrieved Baronial five, 2011.
  72. ^ "Close, Chuck". Museum of Contemporary Art. Archived from the original on September 27, 2007. Retrieved Feb 5, 2007.
  73. ^ "Walker, Kara". Museum of Contemporary Art. Archived from the original on December 28, 2010. Retrieved August 5, 2011.
  74. ^ Smith, Elizabeth. Life Death Love Hate Pleasure Pain: Selected works from the Museum of Contemporary Fine art, Chicago. Museum of Contemporary Art, Chicago: 2003.

External links [edit]

  • Official website

Coordinates: 41°53′fifty″North 87°37′xvi″Due west  /  41.8972°Northward 87.6212°Westward  / 41.8972; -87.6212

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Source: https://en.wikipedia.org/wiki/Museum_of_Contemporary_Art,_Chicago

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